Program Pina Bausch x Germaine Acogny
Pina Bausch
Germaine Acogny
Ecole des Sables
© Maarten Vanden Abeele © Pina Bausch Foundation
In 2024, Dance Reflections by Van Cleef & Arpels is supporting the Shanghai International Dance Center Theater and the China Shanghai International Arts Festival for the presentation of a Pina Bausch x Germaine Acogny three-part program.
This program marks the first collaboration between the Pina Bausch Foundation in Germany, the École des Sables in Senegal and the Sadler’s Wells in the United Kingdom.
Pina Bausch’s seminal work The Rite of Spring (1975) is performed by a cast of dancers from the École des Sables. Faithful to Stravinsky’s composition, this monumental work examines unyielding ritual, with the sacrifice of a "Chosen One" required for the advent of spring.
The first part of the evening is made up of two solos. PHILIPS 836 887 DSY, rarely performed, was created by Pina Bausch in 1971 and is set to the music of French electronic composer Pierre Henry. The title refers to the label and catalogue number of the initial LP release, in 1969, of the 1955 composition Spirale. Though originally performed by Pina Bausch herself, this solo is interpreted by Eva Pageix.
Homage to the Ancestors was created and is performed by Germaine Acogny, often credited as the “Mother of contemporary African dance.” The work merges traditional rituals with contemporary dance in tribute to the artist’s lineage.
about the artists
© Ursula Kaufmann
Pina Bausch
In 2024, Dance Reflections by Van Cleef & Arpels is supporting the Shanghai International Dance Center Theater and the China Shanghai International Arts Festival for the presentation of a Pina Bausch x Germaine Acogny three-part program.
© Antoine Tempé
Germaine Acogny
In 2024, Dance Reflections by Van Cleef & Arpels is supporting the Shanghai International Dance Center Theater and the China Shanghai International Arts Festival for the presentation of a Pina Bausch x Germaine Acogny three-part program.
Senegalese French dancer, teacher and choreographer Germaine Acogny is known as the ‘mother of contemporary African dance’. She studied at the École Simon Siegel in Paris and established her first dance studio in Dakar in 1968. There, she developed her own technique for Modern African dance, combining the influence of dances she had inherited from her grandmother, a Yoruba priestess, with her knowledge of traditional African and occidental dance.
Between 1977 and 1982, Germaine Acogny was the artistic director of Mudra Afrique (Dakar), before moving to Toulouse in 1985, where she and her husband, Helmut Vogt, founded the Studio-École-Ballet-Théâtre du 3ème Monde. In 1995, she returned to Senegal and established an international education centre for traditional and contemporary African dances, École des Sables.
In 1998, she started her own dance company, Jant-Bi, whose productions include Les écailles de la mémoire – Scales of memory (2008), a collaboration with Urban Bush Women, and notably, Fagaala, based on the genocide in Rwanda and winner of a Bessie Award (2007). Germaine Acogny’s other prominent works and credits include Sahel (1987), YE’OU (1988 – winner of the London Contemporary Dance and Performance Award 1991), Tchouraï (2001), Bintou Were - a Sahel Opera (2007), Songook Yaakaar (2010), Mon élue noire – Sacre no.2, choreography Olivier Dubois, (2014, based on the original music of The Rite of Spring, winner of a Bessie Award 2018) and A un endroit du début (2015). Acogny is a respected emissary of African Dance and Culture and continues to collaborate with schools, dance centres and teach masterclasses worldwide. In 2021 she won the Golden Lion of the Dance Biennale in Venice.
