carte noire | gadzi - a Paris chapter
nora chipaumire | nhereraHUB
In 2026, Dance Reflections by Van Cleef & Arpels is supporting the Festival d'Automne for the presentation of a carte blanche by nora chipaumire.
What bridges can be built between Harare, Dakar and Paris? What dialogues and exchanges might be imagined between these three cities, their past and their present? With these questions in mind, nora chipaumire conceived the carte blanche offered to her by the Festival d'Automne, which she has renamed carte noire. The choreographer and dancer, who was based in New York for a time, has singular ties to each of these places: to Zimbabwe, where she was born and founded nhereraHUB, a space for work and reflection open to collaborative encounters; to Senegal, where she worked for many years, most notably with the women of the village of Toubab Dialaw; and to Paris, where several of her works have been presented, a city that, for her, invites conversation in the fullest sense of the word.
Closing out her carte blanche and the 2026 edition of the Festival, nora chipaumire comes to the Fondation Cartier to present gadzi—a Paris chapter, a final work that embraces slowness: one that never settles into a space but rather traverses and reconfigures it.
Artist and choreographer nora chipaumire frequently shapes the spaces that host her projects to reveal an inhabited architecture. In Dambudzo, presented at the opening of Festival d'Automne 2024, she immersed audiences in the world of Zimbabwean shebeens, incorporating their bodies into the scenography. Following three weeks of carte blanche at the Ménagerie de verre, she returns to Paris with the final piece of her carte noire in another setting: that of Ibrahim Mahama, invited by the Fondation Cartier for the exhibition Le Temps des récoltes. Adapting to the works and installations of the exhibition, chipaumire places her own choreographic systems in tension with an existing environment, in which time becomes a malleable material that folds and unfolds. gadzi—a Paris chapter continues to evolve after its initial creation at Tate Modern in London, now drawing on an architecture that carries its own memories, its works, its ghosts.