The Goldberg Variations, BWV 988

Anne Teresa de Keersmaeker

Sur une scène noire, une danseuse vêtue d’une robe noire avec un profond col en V pointe du doigt vers la gauche, ses pieds nus la menant dans la direction opposée avec, derrière elle, un jeune homme jouant du piano.
Feb 22nd - 24th, 2024 NYU Skirball
Anne Teresa De Keersmaeker

In 2024, Dance Reflections by Van Cleef & Arpels is supporting NYU Skirball for the presentation of The Goldberg Variations, BWV 988, by Anne Teresa De Keersmaeker.

The Goldberg Variations are from Bach’s late period, in which the composer pushes the boundaries of musical themes in a play of variations, canons and fugues. He started from a simple and quiet melody, joined with an underlying bass line, which steadily unfolds into a musical cosmos that reveals itself with extraordinary variety and unparalleled complexity.

Together with pianist Pavel Kolesnikov, choreographer Anne Teresa De Keersmaeker continues her journey with Bach. Her previous work with Bach’s The Six Brandenburg Concertos had a large cast, this piece is pared back to a solo performance danced by De Keersmaeker herself. In doing so, she stays true to the same principle of the musical score as the blueprint for choreography.

Spanning no less than one aria and thirty variations, the music challenges the choreography to a similar exercise in width: to find a form of dance capable of adaptation and flexibility while retaining an immutable core. To De Keersmaeker, it is above all an invitation to consolidate the road travelled as an artist, posing today’s questions in her ongoing search for a personal choreographic idiom.

Photo: © Anne Van Aerschot

- The Goldberg Variations, BWV 988

About the artist

Portrait of Anne Teresa de Keersmaeker

Anne Teresa De Keersmaeker

In 2024, Dance Reflections by Van Cleef & Arpels is supporting the choreographer Anne Teresa De Keersmaeker for her latest creation Il Cimento dell’Armonia e dell’Inventione as well as several institutions for the presentation of the piece.

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